2009
Marcadé Bernard, 53 oeuvres qui (m’)ébranlèrent le monde. Une lecture intempestive de l’art du XXe siècle, Beaux-Arts éditions, Paris, France, p.202
Mézil Eric, Rondeau Corinne, Dommage(s), à propos de l’histoire d’un baiser, ed. Actes Sud/Collection Lambert en Avignon, Paris, France, 2009
Ardenne Paul, Un art contextuel. Création artistique en milieu urbain, en situation, d’intervention, de participation, ed. Champs/arts, Paris, France, p.162 ; 215
Cuir Raphael, The Development of the Study of Anatomy from the Renaissance to Cartesianism, The Edwin Mellen Press, Lewinston, USA, p. 178
Gruzinski Serge, "Self-Hybridations : ORLAN", in Azoulay Elizabeth, Gaillard Françoise (editors), 100 000 ans de Beauté, tome "Futur/Projections", ed. Gallimard, Paris, France, p.30-33
O’Reilly Sally, The Body in Contemporary Art, ed. Thames & Hudson, London, UK, 2009, p.137-138
Delcourt Thierry, Artiste feminin singulier, ed. L’Age d’Homme, Lausanne, Switzerland
O’Reilly Sally, The body in contemporary art, Thames and Hudson, London, UK
Sturgis Alexander, Faces: A Closer Look, ed. National Gallery Company Publishing, London, UK
2008
Couanet, Catherine, L’Esthetique des corps intimes et politiques en Occident, Paris, France
Gunthert André, Poivert Michel, L’art de la photographie, ed. Citadelles et Mazenod, Collection L’art et les grandes civilisations, Paris, France
Conte Richard, Laval-Jeantet Marion (dir), Du sacré dans l’art actuel ? Editions Klincksieck, Presses de la Sorbonne, France
Hallensleben Markus, "To Be Educated Is to Become a Harlequin: Cross-Skinning as Carnivalesque Hybridity in Michel Serres, Hannah Höch’s Dada and ORLAN’s Body Art", in Gender and Laughter: Comic Affirmation and Subversion in Traditional and Modern Media, Eds Andreas Böhn, Stefan Horlacher, Gaby Pailer and Ulrich Scheck, Amsterdam, The Netherlands
Morosoli Joëlle, L’installation en mouvement : Une esthétique de la violence, Collection Essai, Canada
Norri Claude, La photographie en France, des origines à nos jours, Flammarion, Paris, France
Sterckx Pierre, Impasses & impostures, Anabet éditions, France, p. 95-104
Joppolo Giovanni, Portraits en métissages, Edition L’Harmattan, France, cover, p.84-89
2007
Baqué Dominique & Durand Régis, Photographies modernes et contemporaines, La collection Neuflize Vie, 2007, Italy
Bell David, Kennedy Barbara, The cybercultures reader, 2nd Edition, Routledge Publishers, London, 2007, UK
David Bell & Barbara M.Kennedy, The cybercultures reader second edition, Routledge, London, UK, p.472-483
Davis James, Hybrid Culture, Mix Art, Kendall-Hunt Publishers, 2007, USA
Gonnard Cattherine et Lebovici Elizabeth, Femmes artistes/Artistes femmes. Paris de 1880 à nos jours, Editions Hazan, Paris, 2007, p.346, 353-355 ; 413
Jones Meredith, Skintight: a Cultural Anatomy of Cosmetic Surgery, Berg, Sydney, 2007, Australia
Jones Amelia, Body art Performing the Subject, University of Minnesota Press, USA, 2007, pp. 226-231 ; 233-235 ; 324
Newton Julianne, Williams Rick, Visual Communication Integrating Media, Art, And Science, Lawrence Erlbaum Associates Press, 2007, USA, p.386
Kozloff Max, The Theatre of the Face, Phaidon, London, 2007, UK
Kuppers Petra, The scar of visibility: medical performances and contemporary art, University of Minnesota Press, Minneapolis, USA, 2007, p.7 ; 85 ; 115 ; 213
Morosoli Joëlle, L’installation en mouvement, une esthétique de la violence, éditions d’art le Sabord, Québec, 2007, Canada, p.85-93
Nehamas Alexander, Only a Promise of Happiness: the Place of Beauty in a World of Art, Princeton University Press, Princeton, 2007, USA, p.38-40
Popper Frank, From Technological to Virtual Art, Leonardo, Boston, 2007, USA
William A. Ewing, Faire face. Le nouveau portrait photographique, Editions du Musée de l’Elysée, Lausanne, Switzerland, 2006, p.110-111
William A. Ewing, Face. The New Photographic Portrait, Thames & Hudson Ltd editions, London, 2006, UK, p.110-111
2006
Andrieu, Bernard (dir); Le dictionnaire du corps en sciences humaines et sociales ; article Body-art par Jean-Marc Lachaud, CNRS Editions, France, 2006
Arnaud Claude, Qui dit Je en Nous?, Grasset, Paris, France, 2006
Biehn Michel, Cruelle coqueterie ou les artifices de la contrainte, Edition Martiniere, Paris, France, 2006, p. 25
Brignone Paricia, Ménagerie de Verre, Nouvelles pratiques du corps scénique, éditions Al Dante, Paris, France, 2006, p.29
Bonnet, Marie-Jo, Les femmes artistes dans les avant-gardes, Ed. Odile Jacob, Paris, France, 2006, p.112 ; 131 ; 176- 180 ; 215
Bussagli Marco, Le Corps, anatomie et symboles, éditons Hazan, Paris, France, 2006, p.127
Caygill Howard, Reliquary art : ORLAN’s serial operation, in Time and the image, Manchester University Press, Manchester and New York, U.K., 2006
Crawford, Holly, Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices, University Press of America, USA, 2008
Cottom Daniel, Unhuman Culture, University of Pennsylvania Press, 2006 p.131-147
Détrez Christine et Simon Anne, A leur corps défendant, Les femmes à l’épreuve du nouvel ordre moral, Editions du Seuil, 2006, Paris, France, p.16 ; 111
Durand Régis, L’Excès et le reste, essais sur l’expérience photographique 3, éditions de la Différence, collection Les Essais, Paris, France, 2006, "Textes pour ORLAN", p.102-120
Jones Amelia, Self/Image, Technology, Representation and the Contemporary Subject, Routledge, London, UK, 2006, p.30-33
Knafo Danielle, Feiner Kenneth, Unconscious Fantasies and the Relational World, chapter 8: "Art on the Cutting Edge, ORLAN’s Medusan Female",The Analytic Press, London, UK, 2006, p.171-201
Lafargue Bernard, Figure de l’Art 10: L’Esthetique, Aujourd’hui?, Publications de l’Université de Pau, France, 2006, ORLAN on cover, p. 301
Lebas Frederic, Interfaces Baroques, revue sociétés, 2006/8, n°94, p.91-103
Louis Mesplé, L’aventure de la photographie contemporaine de 1945 à nos jours, Hachette livre, Edition du Chêne, Paris, France, 2006, p.227
Millet Catherine, L’art contemporain, histoire et géographie, ed. Flammarion, collection Champs, Paris, France, 2006, p.136-137 ; 140-141 ; 157
Strasser Catherine, Du travail de l’art, éditions du Regard, Paris, France, 2006, pp 163-169
2005
Reckitt Helena, Phelan Peggy, Art et Féminisme, ed. Phaidon, Paris, 2005, p.16; 41; 44 ; 172
Ede Siân, Art & science, I.B. Tauris, London UK/New York USA, 2005, p.115 ; 135
Fraser Mariam, The body, Routledge Publishers, New York, USA, 2005, p.301-302
Ewig Isabelle, Maldonado, Lire l’art contemporain dans l’intimité des oeuvres, éditions Larousse, collection Reconnaître et comprendre, Paris, France, 2005, p.53 ; 76
Jimenez Marc (dir), L’artiste, Séminaire Interarts de Paris, 2003-2004, L’université des arts, Klincksieck, France, 2005, ORLAN on cover
Millet Catherine, L’art contemporain en France, Flammarion, Paris, France, 2005, p.181 ; 278 ; 280-281 ; 328-329
Reckitt Helena, Phelan Peggy, Art et Féminisme, Phaidon, London, UK, 2005, p.16 ; 41 ; 44 ; 172
Taschen Angelika (dir.), La chirurgie esthétique, éditions Taschen, Koln, Germany, 2005, pp 308-309
2004
Alfano Miglietti Francesca, Extreme Bodies: The Use and Abuse of the Body in Art, Skira, Milan, Italy, 2003, p.169-176 ; 193 ; 166-167 ; 170-171
Alfano Miglietti Francesca, Virus Art, Skira, Milan, Italy
Anker Suzanne, Nelkin Dorothy, The Molecular gaze, art in the genetic age, Cold Spring. Harbor Laboratory Press, New York, USA, 2004
Baqué Dominique, Photographie plasticienne, l’extrême contemporain, éditions du Regard, Paris, France, 2004, p.222, 225-226 ; 229-230
Bonnet M-J., Les femmes dans l’art, éditions de la Martinière, Paris, France 2004, p.90, 220-223 (with two images of the series "Hybridazation")
Buci-Glucksmann Christine, L’art à l’époque du virtuel, éditions L’Harmattan, Collection Arts 8, Paris, France, 2004
Casta-Rosaz F., Histoire de la sexualité en Occident, éditions de la Martinière, Paris, France, 2004, p204
Castant Alexandre, Noire et blanche de Man Ray, éditions Scala, France, 2003
Couturier Elisabeth, L’art contemporain, mode d’emploi, éditions Filipacchi, Paris, France, 2004, p.36 ; 88 ; 104-105 ; 112 ; 247
Couchot Edmond, Hillaire Norbert, L’Art numérique. Comment la technologie vient au monde de l’art, Flammarion, Paris, France, 2003
Danto Arthur C., The Abuse of Beauty, Aesthetics and the concept of art, Open Court, UK, 2003
Dery Marc, Escape Velocity, Grove Press, New York, USA, 2003, p.239-240
Dietrich Andrea, Draganovic Julia, Ulbricht Justus H., Uber Menschen. Conference proceedings. Autoren und Künstler, Weimar, Gemany, 2003
Gattinoni Christian, Vigouroux Yannick, La photographie contemporaine, éditions Scala, collection Tableaux choisis, Paris, France, 2005, p.109
Giannachi Gabriella, Virtual Theatres, Routledge Publishers, London, UK, 2004
Hatat Brigitte, "Entretien avec ORLAN" in L’en-je lacanien, N°3, le corps parlant, éditions Erès, Paris, France 2004, p.167-185
Horst Gerhard Haberl, Sinnlos-senseless, Editions Springer, Vienne, Austria/ New York, USA, 2004
Hubaut Joël, Hiatus, FRAC Basse Normandie, France 2003
Kaufman Jean-Claude, Bathroom manners, éditions Janninck, Paris, France 2004, p. 99
Kuspit Donald, The End of Art, Cambridge University Press, UK, 2004
Le Thore Pascale, Nouveau dictionnaires des artistes contemporains, éditions Larousse, collection Comprendre Reconnaître, Paris, France, 2004, p.225-226
Maisonrouge Isabelle (de), Mythologies personnelles : l’art contemporain et l’intime, Editions Scala, France, 2002
Stiles Kristine, Uncorrupted Joy: Art Actions, Art History and Social Value, University of California Press, Berkeley, USA, 2004
Vasseur Nadine, Métamorphoses du corps, éditions du Seuil, Paris, France
Regarder l’art du XXe siècle, dictionnaire encyclopédie, éditions Hazan, Paris, France, p.226
2003
Couchot Edmont, Hillaire Norbert, L’art numérique. Comment la technologie vient au monde de l’art, ed. Flammarion, Paris, France, 2003, p.82
Francblin Catherine, Sausset Damien and Leydier Richard, L’abcdaire de l’art contemporain, éditions Flammarion, Paris, France 2003, p.91
Kerchache Jacques, Portraits croisés, sous la direction de Martin Bethenot, Gallimard/Musée du Quai Branly, Paris, France, 2003, p.162
Kockelkoren Petran, Technology: Art, Fairground and Theater. Nai Publishers, Rotterdam, The Netherlands, 2003
Mayeur Sylvie, Guide opérationnel de la qualité. Faut-il tuer la qualité totale ?, éditions Maxima/Laurent du Mesnil, Paris, France, 2003
Onfray Michel, Archéologie du présent, manifeste pour une esthétique cynique, éditions Grasset/Adam Biro, Paris, France, 2003
Ramirez Juan Antonio, Corpus Solus, para un mapa del cuerpo en el arte contemporàneo. Siruela, Madrid, Spain, 2003
Raney Karen, Art in Question, The Art Council of UK, London, UK, 2003, p.147–157
2002
Ardenne Paul, Un art contextual, Flammarion, Paris, France 2002, p.162 ; 215
Buci-Glucksmann Christine, La Folie du voir. Une esthétique du virtuel, éditions Galilée, Paris, France, 2002
Baqué Dominique, Mauvais genre(s), figures de l’érotisme dans l’art des années 90, Éditions du Regard, Paris, France, 2002
Benthien Claudia, Skin, on the Cultural Border Between Self and the World, Columbia University Press, New York, USA, 2002, p. 2
Bouscayrol Marie-José, Partouche Marc, Femmes et artistes, Pau, France, 2002, pp. 302–305
Buci-Glucksmann Christine, Histoire florale de la peinture. Hommage à Steve Dawson, éditions Galilée, Paris, France, 2002
Busca Joëlle, Les Visages d’ORLAN, pour une relecture du post-humain, La Lettre Volée, Brussels, Belgium, 2002
Esthétique et philosophie de l’art. Repères historiques et thématiques, De Boeck & Larcier, Brussels, Belgium, 2002, p.277–278
Gattinoni Christian and Vigouroux Yannick La Photographie contemporaine, éditions Scala, Paris, France, 2002, p.109
Hogh-Olsen Henrik, Personlighedens Positioner, Udgave, Denmark, 2001
Kauffman Linda S., The Public Intellectual. Blackwell Publishing, «The New Art, Old Masters and Masked Passions», Oxford, UK, 2002, p.153–154
Les Imaginaires du corps II. Proceedings of the Interdisciplinary Colloquium in Grenoble, December 2002, éditions L’Harmattan, collection Nouvelles Études Anthropologiques, Paris, France, 2002
Lire la peinture dans l’intimité des oeuvres, éditions Larousse, Paris, France 2002, p. 179
Lucie-Smith Edward, Art Tomorrow, Vilo International, Paris, France 2002
Martel Richard, Art Action 1958–1998, Intervention, Quebec, 2002
Nabokov Dominique, Paris Living Rooms, éditions Assouline, Paris, France 2002
National Museum of Contemporary Art, New Acquisitions, Korea, 2002
Oneto Manuela, TechnoMutAzioni, Post-futurismi del terzo millennion, Anexia, Genova, Italy, 2002
Paintings, drawings, collages, photographs auctioned in aid of "Afganistan-Libre," Nikki Diana Marquardt Gallery, Paris, France, 2002
Phoenix Ann, Identities and Diversities. Mapping Psychology. The Open University, Milton Keynes, UK, 2002, p. 49
Poivert Michel, La Photographie contemporaine, éditions Flammarion, Paris, France 2002, p. 80
Poupel Antoins, The Illusion and Sensuality of Paris, France Metropolitan Museum of Photography, Tokyo, 2001–2002
Roch Jean, Navarra Enrico, Pille Lolita, Ranc Jacques and Reynes Pierre, VIP Room, Part one, Enrico Navarra Gallery, Paris, France 2002
Schneede Marina, Mit Haut und Haaren, der Körper in der zeitgenössischen Kunst, Dumont, Cologne, Germany, 2002, p.129–130
Smith Sidonie, Watson Julia, Interfaces, Women, Autobiography, Image, Performance, University of Michigan Press, Ann Arbor, USA, 2002
Utopia 3, la question de l’art au 3e millénaire, Proceedings of the international conference organized by the University of Paris-VIII France, and the University of Venice, Brescia, Italy, 2002
Warner Marien Mary, Photography: A Cultural History, Laurence King, London, UK 2002
Wilson Stephen, Information Arts, Intersections of Art, Science and Technology, MIT Press, Cambridge, USA, 2002, p.170–171
Zylinska Joanna, The Cyborg Experiments: The Extensions of the Body in the Media Age Continuum, London UK/New York, USA, 2002
O’Mahony Marie, Cyborg, the man machine, Thames & Hudson, New York, USA 2002, p.26
2001
Alfano Miglietti Francesca, Nessun Tempo, Nessun Corpo… Arte, Azioni, Reazioni e Conversazioni, Skira, Milan, Italy, 2001, p.185 ; 163–169
Ardenne, Paul, L’Image corps, figure de l’humain dans l’art du XXe siècle, Éditions du Regard, Paris, France 2001, pp. 34 ; 172 ; 298 ; 403 ; 408 ; 419–425
Balkema Annette W. and Slager Henk (ed.). Exploding Aesthetics, Rodopi, collection: Lier en Boog, Series of Philosophy of Art and Art Theory), Amsterdam, The Netherlands/Atlanta, USA, 2001
Collection of the FRAC île-de-France, Videomuseum on CD-ROM, 2001
Duckett Victoria "ORLAN. Beyond the Body and the Material Morph." Meta-Morphing, Visual Transformation and the Culture of Quick-Change, University of Minnesota Press, Minneapolis, USA, 2001
Gear Rachel, All those Nasty Womanly Things: Women Artists, Technology and the Monstrous-Feminine. Elsevier Science, Cambridge, UK, 2001
Goldberg, Rose Lee. Performance Art: From Futurism to the Present. London: Thames & Hudson, UK, 2001
Grosenick Uta, Women Artists, femmes artistes du xxe et du xxie siècle, Taschen, Köln, Germany, 2001, pp. 414–419
Høgh-Olesen Henrik Personlighedens Positioner, Angst og graenseloshed i person og kultur. Dansk Psykologisk Forlag, Copenhagen, Danemark, 2001, p. 240
Hovagimyan G. H. Art in the Age of Spiritual Machines, Ninth New York Digital Salon, Leonardo 34 (5), MIT Press, USA, 2001, pp. 453–458
Jaquet Chantal, Le Corps, Presses Universitaires de France, Paris, 2001, pp. 211–218
Millet Catherine, Qu’est-ce que l’art moderne ?, éditions Gallimard, Paris, France 2001
Müller Florence, Excentriques, Éditions du Chêne, Paris, France 2001, p.150 ; 166-167
Pearl Lydie, Corps, sexe et art, dimension symbolique, éditions L’Harmattan, Paris, France, 2001
Reckitt Helena and Phelan Peggy, Art and Feminism, Phaidon, London, UK, 2001, p. 172
2000
Bailey Gill, Carolyn, Time and the image, Manchester University Press, Manchester UK and New York USA, 2000
Brand Peg. Beauty Matters/foreword by Eleanor Heartney, Indiana University Press, Bloomington, 2000, pp. 14, 15, 79, 289–293, 290, 292, 293–311
Bousso Daniela, Acima do bem e do mal, Paço das Artes, Sao Paulo, Brazil, 2000
Caygill Howard, Reliquary art : ORLAN’s serial operation, from Time and Image edited by Carolyn Bailey Gill. Manchester University press (Manchester UK and New York USA), 2000, pp. 48-57
Featherstone Mike, Body Modification, Sage Publications, London, UK, 2000, ORLAN on cover, pp. 8-10, 105, 149-169, 171-184, 185-204
Harding James M. (ed.), Avant-Garde Performance, Textuality and the Limits of Literary History, University of Wisconsin Press, Madison, 2000
Stiles Kristine "Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde", University of Madison, Wisconsin, USA
Heuze Stéphanie (ed.), Changer le corps ? Editions La Musardine, Paris, France 2000, pp. 72–74, 198
ISEA 2000, Catalogue of the Tenth International Symposium on Electronic Arts, Paris, Musica Falsa/ Art 3000, France 2000, p. 173
Ince Kate, ORLAN millenial female, Berg Publishers, Oxford UK, New York USA, 2000
Kemp, Martin and Wallace Marina, Spectacular Bodies: The Arts and Science of the Human Body from Leonardo to Now. University of California Press, Los Angeles/Berkeley/London, USA/ UK 2000, p. 154
Labelle-Rojoux Arnaud, Leçons de scandale, éditions Yellow Now, collection Côté arts, Paris, France 2000, pp. 16, 19, 58, 151, 152, 163
Lafargue Bernard, Quatre fameux cons, Eurédit, Saint-Pierre-du-Mont, France 2000
Sederholm Helena, Tämäkö Taidetta ? WSOY, Helsinki, Finland, 2000
Valeriani Luisa, Dentro le Trasfigurazione, il dispositivo dell’arte tra cibercultura et vangelo,Melteni, Editore Srl, Roma, Italy, 2004
Vergine Lea, Body Art and Performance, the Body as Language. Skira, Milan, Italy, 2000
Warr Tracey and Jones Amelia; The Artist’s Body, Phaidon, London, UK, 2000
1999
Anthony Howell, A Guide to Its Theory and Practice. The Analysis of Performance Art, Harwood Academic Publishers, London, UK, 1999, pp. 22, 106, 111, 176, 187
Best Victoria, Collier Peter and Ince Kate, Powerful Bodies, Performance in French Cultural Studies. Peter Lang, Berlin/ New York/ Vienna, 1999, pp. 11, 51–53, 55, 57–66, 68, 68, 184
Domaszewicz Krysia, Body & Society [interview], Sage Publication Ltd, London UK 1999
De Duve, Thierry, Doreet L. Harten, Heaven, Hatje Cantz Verlag (distributed by Art Books International), Ostfildern, Germany
Jeudy Henri-Pierre (ed.), Art de chair, éditions La Lettre Volée, Brussels, Belgium, 1999
Klein Gabrielle, Electronic Vibration. A Pop-Culture-Theory, Rogner & Bernhard edition, Hambourg, Germany, 1999
Le Breton David, L’Adieu au corps, éditions Métailié, Paris, France, 1999
Lucie-Smith, Edward, L’Art Aujourd’hui, Phaidon, UK, 1999
Ramirez Juan Antonio, Arias Manuel, Garcia Fuertes Antonia, Del Castillo Beatriz, Pallol Belén. Historia del Arte, Bachillerato 2SM , Madrid, Spain, 1999
Teatro al Sur 12, September 1999, pp. 54–60
I Turbamenti dell’arte, Costa & Nolan, Milan, Italy, 1999
Rush Michael, New Media in late 20th-century art, Thames & Hudson, London, UK, 1999, pp 59-61
1998
Augsburg Tanya, ORLAN’s Performative Transformations of Subjectivity in The Ends of Performance, New York University Press, p.285-314, New York USA/London UK
Caygill Howard, Facing ORLAN: Ethics and Anaesthesia in Act 4: Art, technology, technique, London, Sterling, Virginia, Pluto Press, UK
Gauthier Alain, Seguret François and Wilson Sarah, Arts de chair, éditions La Lettre Volée, collection Essais, Brussels, Belgium, 1998, p.41–48
Jeudy Henri-Pierre, Le Corps comme objet d’art, éditions Armand Colin, Paris, France 1998, p.95
Joncquet, Thierry, Moloch, série noire, Gallimard, Paris, France 1998
Kauffman Linda S, Bad Girls and Sick Boys, Fantasies In Contemporary Art and Culture, University of California Press, Los Angeles/ Berkeley, USA, 1998, p. 64
Pearl Lydie (ed.), Nouvelles études anthropologiques. Corps, art et société. Chimères et utopies, éditions L’Harmattan, Paris, France, 1998
Pearl Lydie, Baudry Patrick, Lafargue Bernard, Jeudy Henri-Pierre, Mons Alain,
Phelan Peggy and Lane Jill, The Ends of Performance, New York University Press, New York,USA, 1998, pp. 5–6, 15–16, 285–314
Zwischen Performance und Objekt, 1949–1979, Austrian Museum of Applied Arts, Vienna, Austria, September 6th, 1998, pp. 99, 241, 256, 271, 272, 296, 297
1997
Ardenne Paul, L’Âge contemporain. Une histoire des arts plastiques à la fin du XXe siècle, Éditions du Regard, Paris, France, 1997
Auslander Philip, From Acting to Performance. Essays in Modernism and Postmodernism, Routledge, London/ New York, 1997, ORLAN on cover, pp. 129, 133, 135, 137
Huin Bernard, Collection Camille, signatures de femmes. Épinal : Musée Départemental d’Art Ancien et Contemporain, France 1997
Jones Amelia, Body Art/ Performing the Subject, University of Minnesota Press, Minneapolis, USA, 1997, p. 235
Lucie-Smith Edward, Visual Arts in the Twentieth Century, Harry N. Abrams, New York, USA, 1997
Millet Catherine, L’Art contemporain, éditions Flammarion, collection Domino, Paris, France 1997, pp. 91, 93, 103
Paparoni Demetrio, Il Corpo parlante dell’arte. La nuova scena internazionale: linguaggi, esperienze, artisti, Castelvecchi, Rome, Italy, 1997, p. 132
Paquet Dominique, Miroir, mon beau miroir, une histoire de la beauté, éditions Découvertes Gallimard, Paris, France, 1997
Taylor Mark C, Hiding, University of Chicago Press, Chicago, USA, 1997, p. 141
1996
Adams Parveen, The Emptiness of the Image; Psychoanalysis and Sexual Differences, Routledge, London/New York, 1996
Capucci Pier Luigi, Arte e technologie, comunicazione estetica e tecnoscienze, Edizione dell’Artica, Bologna, Italy, 1996
Caronia Antonio, Il Corpo Virtuale, dal Corpo Robotizzato al Corpo Disseminato. Nelle Reti/ Franco Muzzio, Milan, Italy, 1996, p.101
Dery Mark, Escape Velocity, Cyberculture at the End of the Century, Grove Press, New York, USA, 1996
Gispert Carlos and Martinez Rosa, Historia del Arte, Instituto Gallach, Barcelona, Spain, 1996, pp. 2915, 2960
Isaak Jo Anna, Feminism and Contemporary Art: The Revolutionary Power of Women’s Laughter, Routledge, London/ New York, 1996
Macri Teresa, Il Corpo postorganico – sconfinamenti delle performance. Costa & Nolan, Genoa, Italy, 1996, pp. 53–76
Onfray Michel, Le Désir d’être un volcan, Journal hédoniste, éditions Grasset & Fasquelle, Paris, France 1996, pp. 448-456, 490
Pollock Griselda, Generations and Geographies in Visual Arts: Feminist Reading, Routledge, London/ New York, 1996
Tilroe Anna, De huid van de kameleon. Querido, Amsterdam, The Netherlands, 1996
1995
Guggémos Alexia, Le Sourire, Musée du Sourire, Paris, France, 1995
Minière Claude, L’Art en France, 1960–1995, Nouvelles Éditions Françaises, Paris, France 1995, p. 27
Nagy Pál. Az irodalom új Múfajai, Magyar Múhely Baráti Kör Füzetek 40–41, Budapest, Hungary, 1995, pp. 212, 271, 348
Perniola Mario, Enigmas: The Egyptian Moment in Society and Art translated from the Italian by Christopher Wordage, Verso, London/ New York, 1995, ORLAN on cover
Soulillou Jacques, L’Impunité de l’art, Seuil, Paris, France, 1995
1994
Adams Parveen, This is my body, in Suture, Phantasmen der Vollkommenheit. Conference proceedings, Salzburger Kunstverein, Salzburg, Germany
Capucci Pier Luigi, Il Corpo Technologico. p.25, Baskerville, Bologna, Italy
Hirschorn Michelle, ORLAN, Artist in the post-human age of mechanical reincarnation – body as ready (to be re-) made in Generations and geographies in the visual arts: Feminist readings, Routledge Publishers, London, UK, 1994
1993
Jappe Elisabeth, Performance Ritual Prozess, Handbuch der Aktionskunst in Europa, Prestel Verlag, Munich, Germany, 1993
Popper Frank, L’Art à l’âge électronique, éditions Hazan, Paris, France, 1993
1992
Collection of the FRAC Rhône-Alpes, Publication financed by the Rhône-Alpes region, France, 1992
Labelle-Rojoux Arnaud, L’Art en scenes, éditions Évidant, Paris, France, 1992
1991
Allie, F. and Snomsed Patricia, Journal des fous 4, France, 1991
Charbonneaux Anne-Marie, Lambotte Marie-Claude, Buci-Glucksmann Christine, Grenier Catherine, Von Drathen Doris, Les vanités dans l’art contemporain, Paris, France Flammarion, 1991
1989
Tarascon 1989. Sixièmes rencontres internationales de poésies contemporaines, Agrippa, 1989, France, p. 118
1988
Labelle-Rojoux, Arnaud, L’Acte pour l’art, éditions Évidant, Paris, France, 1988
1985
Bory Jean-François and Donguy Jacques, Le Journal de l’art actuel 1960–1985, Ides et Calendes, Paris, France, 1985
Hennig, Jean-Luc, Obsessions, éditions Albin Michel, Neufchâtel, Switzerland, 1985
Michaud Stéphane, Muse et madone. Visage de la femme de la Révolution française aux apparitions de Lourdes, éditions du Seuil, Paris, France 1985
1984
Charles Daniel, "Esthétique de la performance", in Encyclopaedia Universalis, Universalis, Paris, France, 1984
Fabre Gladys, Femme sur les barricades. ORLAN brandit le Laser-Time, 1984 France
Henning Jean-Luc, Obsession, Baland, France, 1984
Janicot Françoise (ed.), Poésie en action, Loques/Nèpe, Issy-Les-Moulineaux, 1984
ORLAN, 1979–1983, Cinq ans d’art-performance à Lyon, Éditions Comportement, Environnement, Performance, Lyon, France, 1984
Kullterman Udo, Le corps dans la performance, éditions Benteli, Switzerland, 1984
1983
Lemoine-Luccioni Eugénie, La Robe, essai psychanalytique sur le vêtement, éditions du Seuil, collection Le Champ Freudien, Paris, France 1983
1982
Bloch Dany, Video Art, France 1982
MAIN UNIVERSITY STUDIES
USA
Augsburg Tanya, Private Theaters on Stage: Hysteria and Female Medical Subjects from Baroque Theatricality to Contemporary Feminist Performance, PhD dissertation, Graduate School of Emory University Institute of Liberal Arts, UMI Dissertation Services, 1996
Bailey Gill Carolyn, Time and the image, Manchester University Press, Manchester and New York, 2000
Böhn, Andreas, Horlacher, Stephan, Pailer, Gaby, Scheck, Ulrich, To be educated is to become a Harlequim : Cross-Skinning as Carnivalesque Hybridity in Michel Serres, Hannah Höch’s Dada and ORLAN’s body art, Gender and Laughter: Comic Affirmation and Subversion in Traditionnal and Modern Media, Eds Andreas; Amsterdam, New York, Rodopi, 2008
Carlson Marla, Performative pain: Building culture on the bodies of actors and artists, PhD dissertation, City University of New York, 2002
Diaz Christina Nicole, Textual flesh: the rhetoric of body politics, MA dissertation, California State University, 2006
Dumas, Stéphane, La peau créatrice. Le mythede Marsyas, un paradigme pictural", Université Paris I Sorbonne, Paris, 2006
Filas Michael Joseph, Cyborg subjectivity, PhD dissertation, University of Washington, 2001
Friedling Melissa Pearl, Recovering Bodies: Rhetoric, Feminisms, and Addiction (recovery, Drew Barrymore, Jewish Women, ORLAN, France, Nan Goldin), PhD dissertation, University of Iowa, 1997
Hein Nina, Performing the image: Representations of the body in the avant-garde, PhD Dissertation, Columbia University, 2005
Laiacona Jeanne M, Postmodern puddles: A method for understanding the presence and meaning of bodily fluids in contemporary culture, and in artistic works of women, African-American, Latino and gay artists of the nineteen eighties and nineteen nineties, DA dissertation, State University of New York at Albany, 2002
Latham Sara Elizabeth, Tracing the body through performance (Cindy Sherman, ORLAN, Annie Sprinkle, Vanessa Beecroft), MA dissertation, University of Texas at Arlington, 2000
Myers Cerise Joelle, Between the folly and the impossibility of seeing: ORLAN, reclaiming the gaze, MA dissertation, Bowling Green State University, 2006
Newton Julianne H., Williams Rick, Visual Communication: Integrating Media, Art, and Science, Lawrence Erlbaum Associates, 2007
O’Bryan Connie Jill, The woman’s body as art: A theoretical investigation focusing on "the Reincarnation of Saint ORLAN", PhD dissertation, New York University, 2000
Robinson-Cseke, Maria, B(l)arney O(r(lan) Act: Posthuman Identity in Art, Sapces, Department of Arts and Humanities, Teachers College, Columbia University, USA
Stammer Fury Kirsten, Signaling through the flames: Violence, the victimized body, and the struggle for meaning in millenial performance (Chris Burden, Diamanda Galas, ORLAN, Ron Athey, Bill T. Jones), PhD dissertation, New York University, 2004
Sechler, Cassandra; San Francisco State University, 2009
Wegenstein Bernadette, Getting under the skin, or, how faces have become obsolete, in Configurations, 2002, pp. 221-259, The John Hopkins Unversity Press
Brazil
de Faria Anna Amelia, Mil e uma ORLANS, Universidade Federal da Bahia, Universidade Federal da Bahia, Instituo de Letras, 2007
Canada
Bobiy Mikaela, Imitatio Christi: The Christic body in performance (Chris Burden, Marina Abramovic, the Netherlands, ORLAN, France, Bob Flanagan), PhD dissertation, Concordia University, 2005
Coulombe Maxime, ORLAN: l’identité violente, MA Dissertation, Université de Laval, 2003
Coulombe Maxime, article on "Ciel Variable", special issue about mutation of identities, image of Self-Hybridization, series Pre-Columbian, 2006
Laliberte, Mark, Interview for Carousel Mag, Ontario College of Art and Design in Toronto, Canada, 2009
Seguin Carlos, Le dispositif du corps souffrant dans les pratiques culturelles contemporaines, PhD Dissertation, Université de Montréal, 2003
Futterer Patricia, Cultural Studies of Science: Skinning Bodies in Western Medecine (ORLAN), MA Dissertation, McGill University, 1995
France
"Com’quoi", newspaper of the Université Jean Monnet de Saint-Etienne, Licence Information et Communication option Journalisme, Special issue for the retrospective exhibition at the Museum of Saint-Etienne
Dumas Stephane, "La peau créatrice. Le mythe de Marsyas, un paradigme pictural", PhD thesis of Plastic Arts and Art Science, University of Paris 1, 2006
Lafargue Bernard, "L’idée d’une esthétique critique et polyphonique face à l’éternel retour de l’art en son âge mondial et pa(n)iën", in L’Esthétique aujourd’hui ?, Figure de l’art, n°10, Revue d’études esthétiques, Publications de l’Université de Pau, France, 2006
Prunet Camille, Le corps vivant dans l’art. Autour des oeuvres d’ORLAN et de Stelarc, Contemporary Art history, Master 1 thesis, supervised by Guitemie Maldonado, Université Paris I-La Sorbonne, Paris, 2006
Ruaux Nathalie, Le Corps entre technoscience et technoculture. L’épreuve des certitudes, Philosophy DESS (option: Medical and hospital ethics), University of Marne-la-Vallée, 2002–2003
Hautbois Marie-Charlotte, La Représentation de la femme en tant que corps-marchandise et objet sexuel à travers l’oeuvre d’ORLAN: artiste féministe à la recherche d’une nouvelle identité, Contemporary art history maîtrise thesis supervised by Elvan Zabunyan, University of Rennes 2, 2000–2001
Mansart Guillaume, Le Corps en transformation dans l’art occidental des années 1980 et 1990, Social science DEA dissertation supervised by Valérie Dupont and Andrzej Turowski, University of Bourgogne, 2000–2001
Nguiy Kelly, TPE thesis about aesthetics surgery
Great Britain
Sarah Lewis and Sarah Cummings, Presentation about Feminsm focusing on the Reincarnation of Sainte-ORLAN; Leeds University, 2009
Kelly, Suzanne, The dark side of being a modern woman, University of the Creative Arts, London, 2009
Petitgas Catherine, ORLAN Unveiled: Peering Through Les Draps du trousseau, 1965-1980, MA Dissertation supervised by Sarah Wilson, Courtauld Institute of Art, University of London, 2000
Pritchard Jessica, Performance and Photograph, BA Fine Arts, England, 2009
Thiriwall Alex, thesis for degree in fine art at KIAD in Canterbury, England, 2009
Italy
Mustopo Dewi, ORLAN, Il paradosso del corpo liberato, University of Genova, Faculty of Litterature and Philosophy, 2008
Stefanutti, Claudia (CLAST), Tra identità e alterità del proprio corpo ORLAN, Introduction by Renato Barilli, Edizioni Tecnograf, 2008
Viola Eugenio, ORLAN. Art corporel, art charnel, Contemporary art history dissertation, University of Naples, 2000–2001
Mexico
Folgarait Leonard, La abolición del arte: ORLAN’s body of Art?, Dallal Alberto editions, Universidad Nacional Autónoma de México Instituto de Investigaciones Estéticas, 1998
Poland
Sysol Agnes; Artists considering body/flash as their medium, Silesian University in Katowice, Poland, 2009
Spain
Benito Climent José Ignacio, El arte carnal en ORLAN hacia une estetica del sacrificio, Alicante, 2009
Prux, Felipe Rizzo, Líquido semiótico – o wiki (re)nascimento no ciberespaço; Universidad polytechnica de Valencia, 2009
Benito Climent, Ignacio, ORLAN as a paradigm of the feminist performance, 2007
Switzerland
Ernst Wolf-Dieter, Interface’s Performance. Theater and Media, Passagen Edition, Vienna, Austria, Universität Basel, 2003
Costantini Marco, ORLAN: Autofiction pour un corps objet d’art et posthumain, Art history dissertation supervised by Régine Bonnefoit, University of Lausanne, 2002
South Africa
Ras Steyn, Post-human body and identity modification in the art of Stelarc and ORLAN, MTech dissertation, South Africa TUT Arts, 2005
BOOKS INSPIRED BY ORLAN
Abreu Juan Felippe, ORLAN Veinticinco, Grijalbo Mondadori editions, Madrid, Espagne, 2003
de Ceruantes Miguel, Don Quijote de la Mancha, edition Alfaguara, Serie Roja, Chile, 2005
Pliskin Fabrice, L’argent dormant, éditions Flammarion, Paris, France, 2004
Schmitt Eric-Emmanuel, Lorsque j’étais une oeuvre d’art, editions L.G.F., Paris, 2004
COMIC BOOKS INSPIRED BY ORLAN
Lauzier, BD Pilote, January 1979
BOOKS WRITTEN BY ORLAN
ORLAN, Pomme Cul et petites fleurs, éditions Baudoin Janninck, Paris, France, 2007
ORLAN, ORLAN, Alliance Française, Buenos Aires, Argentine, 1999
ORLAN, Une oeuvre d’ORLAN, Muntaner, Marseille, 1998
ORLAN, Prosesies écrites, prefaces by Henri Simon Faure & Lell Boehm, illustrations by J.M.P., imprimerie Lithographique Peagno, St Etienne, France, 1967